Summertime In Review

Every summer when I was a child, our family would hightail it to the north woods as soon as my parents were done grading papers. We’d have weeks upon weeks of sand, water, trees, jigsaws, picnics, reading and reading and reading. Then the drive back to hot, noisy Detroit a day or two before the Labor Day BBQ with my parents’ socialist auto worker comrades and their families. All this time later, I remember the taste of the smoky tender sweet ribs that Effie made. That’s when summer was over.

Once I grew up, I wasn’t able to spend entire summers up there. I lived too far away, couldn’t take off work, couldn’t afford it, didn’t like how white the town, how white the summer people. But this summer was the first time in about half a century that I was there for two whole months. One of the reasons for the long stretch was that there was interest in my book The Copper Stone. Librarians I met a decade ago remembered me and invited me back to meet with their book clubs. I was given access to two archives and did some location scouting for a novel I’ve been thinking about. I was on an incredible panel. I got to talk with readers, writers, teachers, and historians about my work, their work, healing, art, justice, and this world of ours. Deep conversations were made possible by talented facilitators. And I got to be with family that I don’t get to see enough of. It was a full and rewarding time.

You can’t do everything. I didn’t get enough time with friends up there and I didn’t get a lot of pages written with all the hubbub. So now I’m all a-scribble in the foothills of the Sangre de Cristos with the junipers and the magpies and the black bears who are bulking up for the cold weather if it ever gets cold enough. Like the bears, I’m digging and taking in. Unearthing a buried story. Sniffing the trail.

As you may know, my honey and I like to drive all over America, so here’s a little sampler of stuff we did in different places in our beautiful tarnished nation.

Hollywood stars collage

LOS ANGELES, CALIFORNIA:

The Academy Museum. This place is a paeon to the art of cinema with topnotch exhibits and screenings galore. The highlight this Summer’s visit for me: the Marilyn Monroe exhibit‘s framed correspondence between Billy Wilder (who directed her again even after she drove him and the whole production batty on Some Like It Hot), and her husband Arthur Miller (playwright of The Crucible and Death of a Salesman fame). Wilder: “Her biggest problem is that she doesn’t understand anybody else’s problems.” Miller: “You are an unjust man and a cruel one. My only solace is that despite you her beauty and humanity shine though as they always have.” A complex scenario.

TULSA, OKAHOMA:

Our aim was to spend Juneteenth in Tulsa. We weren’t able to attend the annual Juneteenth Festival, but little did we know that the Philbrook was having a Gordon Parks retrospective! The Parks exhibit is gone now, but this one on Native art is still up for about another year!

Then we went to Greenwood Rising: Black Wall Street History Center to learn more about the building of Black Wall Street, the Tulsa Massacre that flattened it and murdered people, and the rebuilding that took place. 

Also Tulsa’s got the Woody Guthrie Center AND the Bob Dylan Center! No time this time, but we’ll be rolling through again.

LAWRENCE, KANSAS:

A key John Brown location! Old Brown, as he was affectionately called, was an abolitionist, freedomfighter, and conductor on the Underground Railroad, and he got around. There are sites devoted to him in Lake Placid NY, Sharpsburg MD, of course Harper's Ferry WV, and elsewhere. A few summers back, my honey and I passed through Osawatomie, Kansas to visit the John Brown Museum and battle site. This year we stayed the night in Lawrence, where Old Brown was instrumental in the fight against Kansas becoming a slave state. We kept to the theme by staying in the historic Eldridge Hotel, built and owned by abolitionists. Right around the corner we found John Brown's Underground, a fabulous speakeasy devoted to freedom and courage. We made a small pilgrimage to the site of the Grover Barn, where John Brown and others facilitated liberation for a number of people. Next time I'm in Kansas, I'd be interested to take The Lawrence Underground Railroad Driving Tour.

SAULT STE. MARIE, MICHIGAN:

I went up there for a combo author event and research foray and had forgotten that I had visited the Museum of Ojibwa Culture many years before. It's grown in size and scope since then. There is much to absorb, including a photo and video exhibit about the impact of the residential schools, which was a topic of discussion at the panel I was honored to be part of.

As the Autumn Equinox approaches, I'm surveying the beauty and challenges and stretches of the Summer of 2026. What to incorporate? What to leave behind? What to return to?

About the Images

Billy Wilder: Wilder’s "Tips for Writers" is a placard at the Academy Museum in an exhibit about screenwriting; Sunset Boulevard movie poster featuring Gloria Swanson as Norma Desmond; Double Indemnity movie poster featuring star Barbara Stanwyck as Phyllis Dietrichson; screenshot of the last shot in Some Like It Hot in which the last two iconic lines are spoken ...

JERRY (Jack Lemmon): I’m a man!
OSGOOD (Joe E. Brown): Well, nobody’s perfect!
FADE OUT.

P.S. Billy Wilder’s tombstone reads:
I’M A WRITER
BUT THEN
NOBODY’S PERFECT

• • • • •

Gordon Parks: Untitled self portrait (1941, c The Gordon Parks Foundation); text photographed at Philbrook exhibit.


John Brown and the Freedomseekers: Painting featured on the interior wall of John Brown's Underground (artist unknown); photo of Samuel and Jane Harper in Windsor, Canada, 1894 (Murdick Brothers Studio) and text from the Grover Barn placards and leaflet.

Ojibwa Culture: photos taken of plaque outside of Longhouse, Longhouse interior, and text from exhibit about Native veterans at the Museum of Ojibwa Culture.

May justice prevail.  xoxoxoxoo